Showing posts with label watercolor paper. Show all posts
Showing posts with label watercolor paper. Show all posts

Friday, November 22, 2013

Grateful for Circles, Circles, and Broken Circles!


Greetings, and thanks for stopping by!  You may not know this about me but I am obsessed with circles.  I love to stare at anything that is circular, completely round or asymmetrical.  I love the symbology of any type or shape of circle.  So Terri Stegmiller's Broken Circles stencil really speaks to me, and I am grateful for the opportunity to play with it!  And, speaking of grateful:  I am grateful for every single moment of every day.  To be able to create art and pursue what I love in my studio, with my family& friends, my garden, kitchen….I'm very fortunate and I don't take any of it for granted.  

For this project I brought out a piece of 300 lb cold press watercolor paper that had been previously painted.  The small circles are that tiny bubble wrap, and the asymmetrical shapes are a piece of bath mat.  I did a heavily tinted acrylic wash, stuck those things on the paper and let the paper dry with them in place.  The surface tension of the plastic objects "attracts" the moisture to it and therefore leaves a heavier tint where the paper contacted the plastic.  Cool, huh?

So, this is my staring point.
In addition, I used the head shape from the Face Map stencil.
Face Map stencil, by Pam Carriker


I used the cut-out from Face Map as a resist.

Placing the Broken Circles stencil onto the paper (and over the resist) I pounced transparent white
acrylic paint over the surface.




I moved the stencil to the left portion to cover the surface with marks.

As you can see, the shape of the face is not at all clear yet

Next, I used a darker shade of aqua acrylic paint
for the second layer of marks.

I slightly off-set the stencil from the white layer.


I like how the plastic face looks!

I position the face stencil over the opening where the plastic resist was.

Using an opaque white, I fill the opening in the stencil.



Using a permanent marker, I write a memory (I'll explain below) in the face shape.

Finally, I use the same dark aqua acrylic to enhance the outline of the face with this "contour" 
portion of the stencil.

Here is the finished page.
Both of these stencils were very important to this specific memory.


Now, I have to share with you what I was thinking about when I was creating this page that is to be glued into my sketchbook.  I was thinking about the symbology of circles.  How we revisit memories in a circular fashion throughout our lives.  I looked at the stencil and thought about the symbology of the broken circle, and how this day, the 22nd of November, is the 50th anniversary of the day President Kennedy was assassinated.  Because I think journals are memory-keepers for both the good and the sad things we experience, I am creating this page to recall my experience of that day.  The writing inside the face is my memory of being a nine year-old fourth grader at Crestview Elementary school in Topeka, Kansas.  Our principal came into our classroom and told us what had happened.  My most vivid memory is that about half my classmates began to cheer.  It is so burned into my memory.
Up until then I really couldn't comprehend things like evil and violence.  It changed that day.  It is also the first time I saw a national "event" captured completely on television.  

I'm sorry that is grim and sad, but I created something that is very specific to this day for me.  These two stencils helped me articulate a memory that I hadn't thought about in a very long time.  It isn't important to me that anyone else is able to read my written account.  It is only important to me that I know what it says.  

I'm so glad you stopped by, and I hope you will stay long enough to leave a comment.  Remember:  leaving a comment makes you eligible for the drawing! 


Blog Hop Ord
er


Friday, September 27, 2013

Primary, Secondary, Tertiary Circles!

Welcome to another fun blog hop using Pam Carriker's "Primary, Secondary, Tertiary" stencil!

And, of course, the first thing I want to do is paint my color wheel with it.  Who could resist?  Well, I am resisting, at least for the moment.  Because the other thing this stencil reminds me of may be less obvious, but it strikes me as being similar to the shape of an instrument on an aircraft panel, or a compass of sorts.  That is how I intend to use it.
I have been thinking about doing a page related to a 25th anniversary road trip I took in 2012 with my friend, Karen.  We drove up the Pacific Coast Highway for the first time together in 1987 from Los Angeles to San Francisco, again a few years ago, and in 2012 we began in San Jose and headed north as far as Mendocino before heading south to Los Angeles.  It was while we were in Mendocino that we discovered the Montgomery Grove of redwoods.  This was my first encounter with the giant redwoods, but it has been a lifelong dream.  I wrote about this before, but for the record:  as a kid growing up in land-locked Kansas I wanted more than anything to see whales and redwood trees.  It took me longer than it should have to accomplish it, but it was an exquisite moment when I finally did.
Mendocino is such a beautiful place.
Here is an image of the coastline nearby.

Walking into the grove of the biggest giant redwoods was very humbling.

Can you see me?
(Lower left edge of the tree)


It was mind-boggling.

I created a quilt about it.
Confession:  I flipped the image because I made a technical error when I was making the "tree"
out of silk broadcloth.  Oops.  I'll just call it "artistic license".

I thought it would be fun to use the stencil to make a journal page.  I used two car rental maps I picked up on the trip.  I like to keep these for collage purposes.  Occasionally, I have to have an intervention with myself and cull some of these out.  Generally, I'm happy I bring them home because they are a nice "layer" in my work.
FIrst, I used Jessica Sporn's Flying Tulip stencil as background texture.

I tore a portion of the Mendocino map and layered it to the page with gel medium, 
Then used the Primary, Secondary, Tertiary stencil over a portion of it.

I did the same with a previously over-painted map on a watercolor postcard.

These were layered in place so that they perfectly overlap one another in terms of the stencil.

Taking another portion of my rental car map and positioning it so that the Mendocino National forest
is in the "bullseye" of the stencil, I glued the map in place and stenciled it with a transparent layer 
of green paint.

I moved the stencil over the page a bit more using opaque white paint and some 
more transparent green.

Then, I simply blotted a light layer of paint diagonally over the surface to 
mute things a bit.

This is the page prior to the postcard layer.


Positioning the card in place to match the background pattern of the stencil,
I glued the card in place.

(using Yes!) glue..

and a palette knife


Here is my sophisticated set of weights to secure the layers of paper nice and flat while drying.

Next, I used barrier letters and stencil letters to create "redwood" on the left side.

and "trip" with barrier letters set in place (this is prior to adding paint)

blotting the barrier letters with paint


I outlined the letters a bit in order to increase their visibility on the page

I added ransom numbers to the upper right corner.
Finished!

Don't miss out on all the fun!  Here are the other participating artists in the blog hop: