Monday, May 1, 2017

Hop, Skip, & Jump! A bloghop to showcase Jamie Fingal's new fabric line called "Hopscotch"

Welcome to Hopscotch:  a playful tone-on-tone blender line!  This collection of 83 fabrics features hand-drawn imagery chosen from Jamie Fingal's sketchbooks.  Images such as dots, various geometrics, flowers, and whimsical loop-de-loops.  It's all here!  The large collection is a veritable rainbow of colors and will be the perfect blender to reach for in any of your projects. 

The line is launching at Spring Quilt Market in St. Louis, MO in May, and will be arriving into your favorite quilt shops in August of 2017.

Jamie, as many of you know, is a close friend and the other half of Dinner At Eight Artists.  We enjoy collaborating on a variety of things and when she asked if I was interested in creating a small quilt using her new line I was very excited to work with it.  I selected these:
and oops I guess I didn't get the bright orange in this shot but you will see it...

Lately, I have been doing mostly improvisational work that is "free-cut" with a rotary cutter (meaning no rulers) and I thought it might be interesting to see if I could generate an abstracted botanical piece.

Here's the basic idea:  First, I cut several pieces of fabric into large rectangles.  Next, using my rotary cutter and beginning at the TOP of the cut I made a curved arc into the cloth.  Now, people who use rotary cutters tend to cringe at the idea of pulling to rotary blade toward themselves but the truth is that, when free-cutting, one tends to have more control over the cut.  It feels more like drawing with a  pencil or painting with a brush.  That's how I like to think of it.  I'm being a nerd to admit this but it completely thrills me that I have a gestural "mark" as this cut seam.  Is that weird?  Probably.
The first cut

Next, I overlay the cut fabric onto the piece I intend to sew it onto.  The fabrics must overlap at the seam.  

Once cut, I turn the fabrics, top side is the concave edge, and stitch.

The seam is pressed to the convex arc.  It just "feels right"

Taking the piece back to the cutting mat I repeat the process.
This is basically the idea:  building shapes, taking care to always sew with a 1/4" seam allowance.

Here is an almost-finished "tulip".

Eh, why leave it alone?!  I want to add some more to it, plus I need to join it
to another large section of the construction.

Here is the back of part of the tulip.

I love looking at the back side of an improv (well, really, ANY sort of construction!) piece 
as sometimes it seems to tell more of the story about its making.

This just bugs me.  First, I'm not fond of the tulip on the right because of the two leaves.  
I ask myself what I was thinking!  It looks trite.  It is going to go under the knife again....

I wanted a couple of abstract "buds".  

So I lopped off one of my leaves on the red tulip and moved it to the right edge.

Here are two large pieces, overlaid before they are cut for a new seam.

And here it is after the seam is sewn.

I opted to quilt the surface with light gray, black, white, and two fluorescent thread colors
in order to "ghost" a couple more buds into the piece.
Here is the finished piece.  I opted to do a facing on the quilt.
The finished size is 18 inches square.

Please be sure to stop by all these artists' blogs to see what they created using Hopscotch.  Have fun, and thanks so much for stopping by!
hop, skip, jump blog hop
4-24 Jamie Fingal
4-25 Cindy Cooksey
4-26 Sue Bleiweiss
4-27 Lyric Kinard 
4-28 Susan Brubaker Knapp
5-1 You Are Here!!
5-2 Deborah Boschert
5-3 Libby Williamson

Saturday, March 25, 2017

It's My "Blog-iversary"

I began this blog on March 1, 2009.
Lately, I've been a bit lax in writing and I hope to return my focus to posting more frequently.  I love to write and yet I allow other things to get priority of my time.  At the beginning of the year I vowed to do a couple of new things to add to my studio practice:  a daily spot of time for meditation, writing in a journal "app" each day, and I began an online "strength training" course along with a close friend.   My friend isn't a practicing artist but this course is designate to have a broader scope than simply art-making.  It is really about establishing some daily and weekly habits to improve focus and a depth of meaning in daily life.  This course, called "Creative Strength Training", is facilitated by Jane Dunnewold and her daughter, Zenna Duke.  *Enrollment is still open until 4/1/17 FYI.  So far, so good.

I have had a busy start to the year and (gasp) the first quarter is about to wind down.  January was spent teaching at Craft Napa at the second annual event, work on my 2nd line of fabric for RJR, and finally a week-long independent study at Jane's studio.  This particular week has become such an important component of each year for me.  So much work I make is inspired by the independent study!  I celebrated year # 15 in January.
February I continued my work on fabric line #2, and took a break to travel to Savannah for the first time for QuiltCon.  I met a friend there and we rented an airbnb right downtown.   Wandering around this charming town was such fun and the show was great!
 Everyone loved "Bling", by Katherine Jones from Tasmania 

It was really fun to spot "Boulder Field", by Kathy York!
She created this beauty from Urban Artifacts fabric and RJR's lovely solids for 
Quilt Market 2016.

I loved walking around in Savannah.  What a beautiful city!  The best part of it was discovering all the small "squares" scattered throughout the city.  I loved stumbling onto them and was delighted to see how much people enjoyed using them.

Yikes!  They were steep, too!

Okay, I'll try...!

Old headstones.  I guess they move them to this wall after they topple on their site? 
I dunno.

The Spanish Moss!
I loved getting a feel for this beautiful city.  Afterward, I drove up the coastline to stay with a friend on Wrightsville Beach for a few days.  
In addition to walking in the sand every day we dyed a bunch of fabric!
...and witnessed several breath-taking sunsets!

March brought a tight focus on finishing up my samples for my second line of fabrics for RJR.
I thought a little visit to RJR might be good.  It also gave me the opportunity to visit friends and relatives in the Los Angeles area.

Lunch and shopping with Jamie

Here is the RJR warehouse.

Spotted:  bundles of Urban Artifacts fat quarters!!

I visited my wonderful aunt.
I got to feed Tank, the Desert Tortoise.
The first time I did this I was 10 years old.
the beautiful texture of a palm tree.
A train ride from Anaheim up to Sierra Madre through LA 
brought me to another friend's house.
I was lucky enough to be designated an honorary grandmother to 
several beautiful little girls.  I was doubly-honored to read this one her 
bedtime story.

I got a tour of her pre-school.
Since it was St. Patrick's day they had several leprechaun "traps" set!

We spent the afternoon exploring the American Gallery & the Chinese/Japanese gardens at the Huntington Library & Gardens.  What a beautiful place (my 2nd time there) and so close to my friends' house!
Protea in bloom

An enormous Calder that I had forgotten about...

One of my favorite painters, Mary Cassatt.

I have a "thing" for lotus pods..

Look at the beautiful paved patio.

A California Juniper bonsai.
I wonder if this is what the ghost trees near Point Lobos are?

I arrived home to this copy of Quilting Arts in which I am the 
author of the "Last Word".

If you have the opportunity to read it I would love to know what you think.

and now it is spring!  The time has changed.
What does springtime bring for you?

Tuesday, February 21, 2017

"WOOF"! A pillow-making tutorial featuring Bizzi, my miniature Schnauzer (and studio assistant).

"Hi!  My name is Bizzi..."

If you have visited me before, either here or on FB or Instagram, you know about my little studio assistant.  She is my little shadow and follows me everywhere I go.  In my studio, she is a constant presence, even signaling me when enough is enough and it is time to stretch and play!  She has several ways of doing this:  the most amusing one being to pull a piece of fabric off my shelf and stand in front of me until I notice it....then she runs away shaking it vigorously!  We refer to this as her "Schnauzer sense of humor".  

Since she is such a part of my studio life I opted to create my block for the RJR "Common Threads" quilt seen at Quilt Market 2016 using her likeness.  This block is really fun to make and it is versatile.
I will be creating a quilted pillow, but I think this block would be really fun as part of a tote, a mini-quilt, a panel on a jacket, and more.  Plus, Bizzi loves the PR this  project gives her and it elevates her social media status....
Here is the finished quilt using each of the RJR designers' blocks.
Interesting how so many of us opted to include our pets!

Let's get started, shall we?  First, go to the RJR site to download the block template.  Feel free to draw your own version of this block.  Trust me, it is easy to do!
Once you have the template you can choose the prints for each piece of the image.  The fabrics must be pre-fused.  I recommend fusing pieces of fabric prior to cutting the various shapes.  Some of these pieces are small and it is much easier to handle the fusing, then fussy cut each shape.  Ask me how I know...!

My choice of fusible is Mistyfuse.  Why?  Because it is so sheer that it does not change the hand of the cloth after the fusible is applied.  This is important for useful items.  Who wants a piece of cloth that becomes stiff as a board after fusing? Not me, that is for sure!  When you use this product you will need either two Goddess Sheets (teflon pressing sheets) or two pieces of kitchen parchment paper:  one to use under the project and one over the top to protect your iron and the ironing surface.  Another VERY useful tool to have on hand is a cheap "scrubbie" (the cheap plastic ones used in the kitchen to clean pots and pans).  I purchase a set of these rectangular scrubbies, sans sponge, and cut them into quarters for use in the studio.  Once you have fused your fabric, allow a few seconds for the parchment or teflon sheet to cool off before peeling back the surface.  After removing the fused fabric, quickly "scrub" the surface of both pressing sheets lightly to remove any hidden bits of the fusible that might have adhered to the surface.  This prevents any stray bits from being accidentally fused on something else.
I keep one at the edge of my work area and it is a habit to lightly scrub each surface that has had contact with the fused project.  
Remember:  you are applying fusible to the WRONG side of the fabric!

For convenience I used a piece of notebook paper to cut a few of my pattern pieces, 
just to keep the size in perspective.  Feel free to trace and cut every piece, but you may
find that it isn't necessary once you have the main pieces figured out.
Here is a shape I used for the main part of her beard.  I traced this onto the wrong (fused) size of the fabric, then cut.  I later cut individual points at the lower part of her beard.

Here are here oversized eyebrows.  I first cut the main shape, then clipped the smaller 
details at the base of the brows.
I selected the dark print to contrast with her brows and beard.
Here is my template for the top of her head...

and here it is after cutting.  I used the shredded print in charcoal to add another element on her face,
a sort of "handlebar mustache"!
I used the same dark charcoal from the "Box Springs" print for both top of head and the nose.

Paws:  made from two oval shapes using charcoal Box Springs for the background,
and the gray Linear Gradation print for the front of the paw (as used in the beard and brows).

Again, I first cut the basic shapes and then clipped the hair detail.

I chose the dark teal "Box Springs" for the base of the window sill,
and the aqua "Vertical Garden" for the curtain shapes, and the Tiffany Box RJR Solid
for the background.  (Ignore the seam in the center of the solid: I simply pieced it together because 
I was running out!).
All these fabrics, once pre-fused, were cut to the shapes of the template.
Working over my parchment paper I placed everything before fusing.

I used the deep red Box Springs print for the background of my lettering and also the 
tie-backs for my curtains....

The overlay of my letters was cut from the "Curry" colored linear gradation on white.
The main thing is to select prints that have a dark background and a contrasting lighter color
on the letters.  I cut the lighter pieces slightly smaller and offset them for visual interest.
Note that I have another parchment sheet between my project and the iron!  Important to do this
to prevent any tiny bits of fusible from adhering to the iron surface!

 Once the pieces have all been fused, trim the block to 8 1/2 inches square.

For the sides I selected the "Moss" colored "Linear Gradation" print.  I like that this green picks up on the small elements of green in the other prints.  I cut two 8.5" by 5.5" pieces to piece to each side.

Next, I cut two 18.5 by 5.5" lengths of fabric.  Piece one on top and bottom of image.  Press.

Cut a 19.5" piece of low-loft batting and backing (the choice of backing doesn't matter as it will face inside the pillow.  Pin fused/pieced project to the batting and backing.  Quilt.
I chose a matchstick quilting method and light-medium gray thread as I didn't want to change thread colors at all.  The gray works beautifully with all the colors in the prints, and basically disappears in the image....
Using my dual-feed attachment on my Bernina 770QE (or you may use a walking foot) I started in the center of my image and worked to each edge doing straight line quilting in rows approximately 
1/8" apart.

I used a stitch length of 2.25 and stepped over 2 stitches between rows.

Once the entire surface was quilted I trimmed the piece to 18".  Next, I cut two separate pieces of the deep red "Box Springs", 18" by 12".
I opted to stitch one of my selvedges to the section that will be outermost as I like the way it looks!  
For the second piece of the pillow back I folded the right side of the fabric twice, pressed, then stitched.  This section will lay under the selvedge edge.  
I plan for the selvedge to remain exposed on the finished pillow so I am careful to place my two back sections so that the selvedge finish is placed in the proper orientation to the dog face.  This is the piece that should be positioned, front side facing down, against the quilted surface FIRST, then overlap the second piece so that the finished edge is facing in toward the center. Note:  these pieces have a significant overlap so there is no need for a closure.
Pin these in place around the edges.  Stitch all the way around the perimeter allowing for the seam allowance.  Back stitch two or three times at each corner as well as along the sides where the opening overlaps.  These are areas that will have some stress applied to them when turning the project inside out, and also when stuffing the pillow insert, so the extra stitching prevents seam separation.

After stitching trim the corners diagonally to remove excess bulk.

Then, trim excess seam allowance about 1/8" from seam for approximately 1.5" from each direction of all 4 corners.  This makes turning the project right-side-out much easier.

You may choose to push the corners with your finger or gently use the tip of a pair of scissors, just be careful not to poke all the way through!

Yay! I have a nice opening and I actually got the selvedge piece where I want it!

Now, at the ironing board, secure the seam edges by steam-pressing.

I didn't mention this earlier but before I started quilting I "fussy-cut" several elements from the prints
and fused them onto the borders to add a bit more interest.  This is optional, of course, but I think it 
adds a little something extra!
See the coneflower?  I fused it in place before the quilting...
as well as a few other floral elements seen in the border pieces.

This pillow is nice and squishy!

I think this cute pillow is "Bizzi-approved"!

Please let me see your projects when you finish them.  I can't wait to see what you make!
Drop me a comment.  I love hearing from each of you!  Thanks for stopping by.