Showing posts with label Carol Soderlund. Show all posts
Showing posts with label Carol Soderlund. Show all posts

Sunday, October 24, 2021

The Importance of Becoming a Beginner. Again.

"El Greco's Alphabet"
c2019 by author


Greetings.  Years ago I was invited to wrote the "Last Word" article for an issue of Quilting Arts magazine.  To my amusement the theme is just as relevant today as it was over 5 years ago. Perhaps this will resonate with you, too.  Read on:


The Importance of Being a Beginner (Again)

 

As you encounter this title you may wonder why anyone, ANYONE, would want to be a beginner again.  Stay with me here as I extol the virtues of being somewhat clueless.

First, let’s acknowledge the pain and frustration that is often part of beginning.  The unknown is frightening, right?  Who doesn’t want to stay in the “safe zone”?  We all know that zone: we dwell in it and may have become an “expert” in that arena.  It is comfortable:  a bit like wearing our favorite old t-shirt and fuzzy slippers.  And that, in my opinion, can be good and bad for artistic work. 

Expertise implies mastery of a given technique.   Just for fun, let’s call that skill your “Superpower”.  It’s great to have a Superpower because it can be leveraged in another direction.  Yes, I am suggesting that you focus your energy into new territory.  I’m suggesting that you become a beginner.

Why?   Because nudging yourself out of your comfort zone leads to new and exciting work.  Should you abandon the comfort zone entirely?  Certainly not.    But I AM asking you to immerse yourself in unfamiliar territory because often (frequently!) that is where the magic happens.  We dream of trying something new but tell ourselves we will do it “later”.  Later becomes default language for “never”.  

Why am I thinking about this?  Recently I left my familiar realm and began to study improvisational design and sewn construction.  Embarking on this new study required me to re-set my brain into a learning curve, leave my ego at home, and open myself to new and challenging information.  The process has been both humbling and exhilarating.

“Around here we don't look backwards for very long. We keep moving forward, opening up new doors and doing new things, because we're curious...and curiosity keeps leading us down new paths”. ―Walt Disney

 

It is, indeed, where one can capture magic and excitement.  

When I examine the body of any artist’s work I am fascinated to see changes that occur in style and subject matter.  I like to think about what might have informed the evolution. 

“Creativity takes courage.”.

― Henri Matisse

I tend to believe stagnation is based in fear of the unknown.  It certainly works that way for me. Often, artists are reluctant to move past certain work because it is a reliable source of income and recognition and is comfortable terrain.  One can and should keep making work that is satisfying.  I simply challenge you to push yourself a bit and try something new.  I believe the act of embarking into unfamiliar territory may influence everything else you create.  Understand this:  nothing will replace showing up in the studio and doing the work.  Some of the work isn’t going to be good:  accept it.  Nancy Crow states that it is “important to be ruthless with yourself” about your own work.  As a beginner (and someone with a Superpower!), we must be willing to edit our work and use disappointing results as motivation toward more elevated results. Another truth is that frustration can be fuel.  Fill the tank and take it out for a spin.  Who knows where the journey will take you?

“It’s supposed to be hard.  If it wasn’t hard, everyone would do it.  The hard is what makes it great”. --Jimmy Dugan in “A League Of Their Own”.

 

“We have to continually be jumping off cliffs and developing our wings on the way down.” ― Kurt Vonnegut


hand-dyed swatches generated in Neutral Territory
a workshop facilitated by Carol Soderlund


I'm including info about the Neutral Territory workshop because I just finished taking it for the second time.  Packed with information, I learned so much by working through the course again.  Study with Carol if you are interested in learning about fiber-reactive dye!





 

 

Monday, January 30, 2017

Blog Hop To Welcome A New Book: "Playful Fabric Printing"



I've been waiting (WAITING!!) for this book for such a long time!  And, finally, it is HERE!
First, a bit of background:  I love both of these authors.  I am friends with each and admire their work individually.
When I caught wind of the fact that the two of them were working on a book about their fabric dyeing and printing strategy I was really enthused.  Playful Fabric Printing was underway!  This year, at the 2nd annual Craft Napa, the book was finally placed in my hands.


Playful Fabric Printing is one gorgeous book!

Take a look at all the information contained in it....




Carol is a master at teaching people how to dye fabric for specific colors.  
Here she is showing her 3-dimensional color cube in her workshop called "color mixing for dyers". 
I took this photo during Carol's workshop about 2 and a half years ago.  Below is a page in their new book showing 
all the color "value bands" and how to achieve them.



Melly has a degree in textile design from the Fashion Institute of Technology.

Can you see where I'm going with this?  These two dynamos just co-wrote a fabulous book!  The book was made even more fabulous because Pokey Bolton, founder of Quilting Arts & Cloth, Paper, Scissors magazine, published their book under her new brand, "Crafting A life".   The book is yummy in every way:  chock-full of easy-to-understand information that is beautifully photographed.

Carol and Melly are keen for people to learn how to use thickened dyes to create their own personal imagery on cloth.  They have developed a system that is simple yet elegant.

Several surface design artists stayed after the second annual Craft Napa for a dye "play day" to become acquainted with Carol & Melly's system of using dye and stamps to develop prints.  Here are a few images from that day...

Carol shows us how to mix the dye into print paste.

Carol and Melly talk about the book and how to cut stamps using their technique.

Melly demonstrates how to apply the thickened dye to the stamp surface for printing with multiple layers to create an image.

You know, these two really love color!

Here is a quilt Melly created using her hand-printed fabrics along with my new line of fabrics from RJR called 
Urban Artifacts.  See how great they look together?  I think this is important because the book will show you how to create
unique prints that work well in combination with other prints or on their own!

After showing our small group how to use simple and easy-to-obtain supplies to create our stamps we all made our own.  The idea was to design stamps that referenced the theme of "x's and o's" in some way.

Using a piece of clear plastic and fun foam I cut and adhered my foam stamp pieces onto separate pieces of clear plastic (think transparency film-type plastic).
Each of these foam stamps can be used together to create one image or separately.


This is a new way of making marks for me and I am excited about it!
I've been thinking of many ways to utilize this new information.



I mottled my dye on a paper palette prior to rolling onto my stamp for this piece.

circles within circles...

x's and o's combined


a variation in scale


These are my first experiments.  They are the beginning of my journey with this idea.  I am enjoying the discovery!   I think it is very important to remain playful and experimental.  Not every print I will make will be fantastic but I intend to make lots and lots.

Guess what?  It does NOT matter if you are totally new to this or a seasoned surface design artist.  This book is easy to read and a great tool for getting started or equally good for adding new ideas to your current surface design practice.

There is even a Playful Fabric Printing Facebook Community, where we will gather fabric printers to share their work and get feedback on their processes.

Each artist on the hop is giving away a copy of this book.  All you have to do is leave a comment here (and on any of the other blogs on the hop) to be eligible for the drawing.  So don't forget to leave a comment!   I'm so anxious for people to get this book and try all the techniques, including the use of the dye mixing information that shows you how to easily mix dye colors into many different gradations.  I'll be posting some more images really soon so please drop back by and check it out.  


January 23: Melly Testa

Jan 24: Carol Soderlund


Jan 27: Judy Coates Perez
Jan 28: Carrie Bloomston

Jan 29: Lynn Krawcyzk

Jan 30: Leslie Tucker Jenison
Jan 31: Pokey Bolton

Pokey is about to surprise Carol and Melly with this cake!

Here is a shot of Pokey cutting the surprise cake (decorated with the cover of Playful Fabric Printing)
during the Craft Napa event earlier this month!



Saturday, September 19, 2015

Affinity For Improv and Love of the Line

I am exploring some new territory in my recent work.  This is one of those intervals that may appear to be coming out of nowhere, but in reality, this has been on my "list" for some time.

It started last spring when I went to study at the Crow Timberframe Barn with Carol Soderlund.  I got to do two things at once that I had been dreaming of and it was a great experience.  It started me on a path I have been thinking about since the late 80s:  studying with Nancy Crow.

The reaction I get is usually something like this:  "I don't understand. Why are you doing this?  This doesn't seem like a place your work is going...." and on.  Yes, I get that people don't see it as a natural progression of the work I was doing two years ago.  I'm quite fine with that.  This exercise has multiple goals:
To study with an artist whose work I admire a great deal.  
I want her to challenge my point of view.
I expect it to be difficult.
I expect to struggle, and probably to fail multiple times.
My goal is not to make work that resembles Nancy's, rather, it is to see what is possible by adding the information she gives me to my own aesthetic.

I can't wait to see what shakes out of all this!

One revelation:  free-cutting fabric selvedge to selvedge with a rotary cutter to expose the gestural line in cloth.  This really excites me!  I feel so close to drawing when I do this:  I'm pulling the rotary tool toward me versus the traditional method ofpushing it away.  No ruler!  It allows more control and  is deeply satisfying.

I created this quilt which is my curator's piece for the soon-to-be "Affinity" exhibition (for Dinner At Eight Artists in Houston at the International Quilt Festival) using this free-form method of construction and I'm pretty happy with the results.  All the quilts in the exhibition will be 40 inches square.
With the exception of some of the black and gray, the rest of this fabric was hand-dyed by me.

I enjoyed the process of free-motion quilting this piece on my Bernina 750QE.



I hope many of you will be at the International Quilt Market & Festival this fall in Houston, TX.  Please look me up!  I'll be there!  



Saturday, May 24, 2014

Dye Study With Carol Soderlund at the Crow TImberframe Barn

Everyone has a bucket list.  One of the things on mine has been to take at least one workshop at the Crow Timberframe Barn in Ohio.  That dream came true this spring.
After getting better acquainted with Carol Soderlund last summer during the SDA Conference in San Antonio I decided to combine two things I wanted to do:  learn more about dyeing neutrals on cloth and taking a workshop at the Crow Barn.  Since I was going for one workshop and Carol was offering two, I thought I might as well take them both.  I am SO glad I did.
Out of respect for the proprietary information that Carol so generously shares with her students I will carefully share a few images here.
The first week I took a workshop called "The New Color Mixing For Quilters".  I learned so much!
The second week, "Neutral Territory:  50 Shades of Gray and 50 Shades of Brown".  We were on the hunt for neutrals...
The workshop setting is just wonderful as the Barn has an exceptional dye studio.  The upstairs has a design studio that is currently occupied by an independent study conducted by Nancy Crow.
Each day we are treated to nutritious, delicious lunch and dinner created by artist and chef Margaret Wolf.  Margaret has a wonderful cookbook that I purchased.  If you love to cook you will enjoy this!  The book is self-published, I think, so order from Margaret.
Here are a few images from my stay in Ohio:
A portion of the wet dye studio at the Crow Barn.  
I would have enjoyed college chemistry a lot more if we had been doing this....



Amazing to see what happens with each dye bath.  Transformational!
Look at all this gorgeous color.  Each piece is different!

Carol hugs all the color.

A stack of freshly dyed fabrics ready to cut

sorting all the colors...



Students work together to create a large set of colors that we use to make our dye notebooks.
Here are some of the gorgeous colors.

Trimmings....each is a different color!

Oops!  We are in the midwest and in the spring that means tornado weather....
Here we are gathered in the basement hallway to wait out a tornado warning.

Crow Barn exterior.

Carol holds up a couple sets of her dye colors. 
During the first week we created three sets using three different pure dye colors.

Some of my freeform dyed cloth:  silk, cotton, and silk-cotton Radiance.

Here is my work area at the B&B where I am staying.
I worked long hours to put together my notebook!

Samples of neutral experiments.

Chef and artist Margaret Wolf.
I love her!
Lunch at the Barn.

Some of Nancy's African basket collection hangs on the dining room wall.


As does her collection of hand-carved/decorated wood cooking tools.

Carved items are seen throughout the kitchen and dining room areas.

Dinner gathering with both workshops.



Week Two:  "Neutral Territory" experiments.  The larger "9 patch" consists
of nine different neutrals that we dyed.  There were many of these sets.
The long skinny pieces were gradations of one of the larger squares.

A peek at the lower level studio.  You can see many of the larger 9-patch sets hanging on the
design walls.  Over the week we added to these, and experimented with many many gradations 
in the search for more neutrals.  We found a lot!

Storm clouds over the town of Lancaster.  I stayed in a bed and breakfast during my time at the 
Crow Barn.  

A favorite item is this sewing machine "tractor" positioned at the base of the stairs.
I love it.