Big News for the Southwest School of Art in San Antonio!

I received this in my email inbox today and think it is worth sharing.  I wonder what majors will be offered.  Anyone care to take a guess?

Special Edition October/2010 The Secret is OUT!   BFA Program Announced Today marks the official announcement (and it's been a darn hard "secret" to keep!) of our board of trustees' decision to add a Bachelor of Fine Arts degree program to what we teach - which will make us the only independent college of art in Texas. The new BFA degree program will begin in the Fall of 2013.  The decision seemed to be "the logical next step"  in large part because we already have an outstanding faculty and top-notch studios in ceramics, book arts, digital imaging, fibers, metals, glass, painting, papermaking, photography, and printmaking and more.  School Name Change Revealed At the same time, we're shortening our name to Southwest School of Art, since it's easier to say and remember, and affirms our belief that the craft arts are a subset of art, rather than separate.  The new BFA degree program will co-exist along with all our other cherished programs such as studio classes for adults, exhibitions, children's art programs, and other community programs and events such as Fiesta Arts Fair, our Dia de los Muertos altar and (coming Dec. 11) Art.i.copia.  This is big news for San Antonio, but we want to know what you think. Tell us on our Facebook page!

Cool new (for me) gel pens

I took a journal workshop in Chicago @ CREATE with Dawn Sokol.  In the class we learned how to make our own books from old hardcover books by removing the original pages and stitching in our own page stock.  I made a book with two "signatures", meaning two sections of stitched pages.
Of course, I had to make it complicated.  I used a variety of oddities:  watercolor paper, maps, old pattern sleeves, and even some polyester sheer that I laminated with paper through a thermofax screen.

In addition to learning how to construct a book, which thrilled me, Dawn introduced me to Sakura gel pens.  The ones we were given in the workshop were the souffle pens.  The ink behaves as puff paint after you write on a surface.  Very cool.
I ordered a couple of additional packages when I returned home, and just got around to playing with them a few days ago.
One of the pleasant surprises was the set of opaque pens:  I found that I could write on a boarding pass that I "ruined" by heating and turning the paper black.  No problem now:  I wrote on the page with my white pen!  The other happy surprise is that I can write on the laminated areas of my sheer and the script shows!
I tried various other types of pens and markers and the script didn't show up.
Take a look:

Here is a page with writing using the Sakura Souffle pens

Here is the laminated sheer, turned to left

Here is the laminated sheer with Sakura opaque pen scribblings.

Pretty cool stuff

Kathy York: Cover Girl!

Kathy York's amazing quilt, "Fifty, Female, and Fearless"

Kathy's quilt can be seen in Houston at the International Quilt Festival as part of "Beneath The Surface",

a special exhibition co-curated by Jamie Fingal and myself.

Dinner At Eight Artists ROCK!

And, if that wasn't cool enough (which it IS) I will have an article in the same magazine about using shredded paper for various surface design techniques.  Woo Hoo!

Visual Inspiration

Sometimes I think the images that inspire me to make marks and stitch patterns are unconscious.
Occasionally, I stumble on some of these parallels in my photography and surface design work
Here is one example:

A midwest winter scene, shot from the air

and then.....

Progression of Ungessoed canvas #2

Laying on the paint!

I put a lot of this paint onto the canvas with a palette knife

Then, I came back over it with a cheap brush.

I was doing "controlled flinging" of paint at the end.

Between the amount of humidity due to all the rain and the amount of paint on this canvas, this baby is going to take awhile to dry!  I decided to start another canvas this evening so it could dry out overnight.

This gives me something to look forward to in the morning!

My goal is to have about a half-dozen of these canvases in various stages so I can move through them and add layers.  I think this will keep me working more quickly and loosely.

Previously, when I was doing more painting than textile-work, my painting style was pretty tight.  There is a time and place for that, for certain, but I think the ability to cut-loose and paint with a lot of abandon is truly important.  Strangely, I am better-able to do that on cloth.  Perhaps this is one of the reasons the unstretched canvas has so much appeal; I've been working with it a lot in the last year.  There is something very liberating about "jumping off the frame".  

11 am Sunday Morning:

Here is the next layer which includes marks with a large, fat marker, then paint loosely applied with a cheap housepainting brush and a cheap, student-grade round.  Also, some watered down acrylic was loaded into a nozzle-tip bottle and "painted", then allowed to run.

this is one end of the canvas

here is the other

3:00 pm:  Here is the 3rd layer of paint, text, and miscellaneous marks:

left side of canvas

right side of canvas

detail (I used some Pitt pens in a few places)

detail

I am, quite literally, waiting for paint to dry.

4:30 pm Layer #4:  paint, markers, writing, mulberry paper collaged with matte medium

left side of canvas

right side

detail

detail

The canvas is starting to darken.  I think the next layer will include some watered down light colors, possibly some more collaged paper.  I dug around in my studio closet and found some cool orange paper.  Guess what color is coming?

8:30 pm.  Layer 5:  washing areas with white, stamping, and more controlled flinging of paint

left side of canvas

I had to break down and do a bit of painting over my snapdragons.

Did you notice I was avoiding them?  They had become boyfriends.

I may have gotten carried away with my "flinging".

Now I think I will have to wait until tomorrow to do another layer.

I want these to dry with a pronounced texture.

Weather as inspiration

I took these photos right after I returned from Cleveland and keep forgetting to post them.  I love how freaky this storm looks:  half the horizon dark and ominous and the other half looks pretty tame.  These were taken while in the car with a friend (I was in the passenger seat snapping away).

Progression of a "graffiti-style" painting & collage on ungessoed canvas

I'm beginning my first canvas as part of Alisa Burke's online painting mixed-media course, "Graffiti Chic".
Itching to get started, I needed to finish a piece that was dominating my work space.  Although said piece is very close, it is still not completely finished, but I was able to move it off the work table so I could start PAINTING!  Woot Woot!

These images are of the base of the painting.

It is all about building layers.

Very loose and industrial.  I'm shooting for gritty layers of stuff found on and around an old building.

Once this dries I will start another.

Tomorrow I am going outside for some "outside-only" stuff.

I'm having a lot of fun with this loose, "swashbuckling" style of painting.  It is very good for me to loosen up!

Now, some paper is collaged to the surface, and more paint added: